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A Veranda report profiles the Dallas home of artist Donald Robertson, his wife Kimberly Gieske and their family, showing how designer Cathy Kincaid combined traditional interiors with pop art, collected furnishings and the children’s artwork. The feature describes a collaborative design process, but does not provide the home’s address, a sale listing or plans for public access.
Veranda has published a tour of fashion illustrator and pop artist Donald Robertson’s Dallas home, showing how designer Cathy Kincaid combined a traditional Colonial interior with bold artwork, family pieces and irreverent details. Robertson shares the clapboard house with his wife, Kimberly Gieske, and their family; the report presents the design as a collaboration shaped around their differing tastes.
The family moved to Texas from California during the period the report describes as the COVID migration. Robertson said Dallas appealed to the couple because it offered something like Lake Forest, Illinois, without its wind and cold. Gieske liked the house’s reassuring, traditional appearance, while Robertson said its symmetry offered a counterpoint to the disorder of his art studio. The source does not give a move-in date or the home’s address.
Kincaid said the couple had clear ideas and that her role was to interpret them. She worked with Gieske and the late stylist Charlie Birdsong, her longtime collaborator, to rearrange the family’s existing furniture and art. Robertson recalled that Birdsong quickly helped solve the household’s decorating disagreements. The article says Birdsong worked with Kincaid for more than 35 years and died in late 2022.
The rooms pair conventional furnishings and materials with artwork by Robertson, the couple’s children and other artists. The report describes, among other details, a taupe patterned wallcovering in the dining room, vintage pieces in the entry, raffia-covered walls in the TV room and a Sebo Walker abstract in son Henry’s bedroom. In the family room, artwork by Robertson and the children hangs together. The article credits photographer Douglas Friedman with the images.
Traditional Rooms, Personal Art
The home tour offers a specific example of how a family’s art and preferences can shape a traditional interior without replacing its underlying style. Kincaid’s approach, as described in Veranda, was not to choose between Gieske’s preference for order and Robertson’s taste for humor and experimentation, but to bring both into the same rooms.
That combination is visible in the use of the family’s own work alongside vintage furniture, established designers and contemporary art. The result matters as a portrait of a lived-in home rather than a room-by-room product announcement: the children’s pictures and the couple’s existing possessions are part of the design. The report does not claim the house represents a wider trend or provide evidence about how common this approach is.
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From California to Dallas
The report places the move within a broader COVID-era migration from California, but provides no figures about the family’s move or the number of people who relocated to Texas. Robertson said he and Gieske considered different preferences before settling on Dallas. Gieske had favored Lake Forest, while Robertson described Dallas as similar in feel but with a milder climate.
The home’s Colonial architecture offered a shared starting point. Kincaid described the project as a true collaboration, with the clients bringing clear ideas and the designer helping translate them into a cohesive interior. Birdsong joined Kincaid in rearranging existing furnishings and artwork before the family and designer selected fabrics and filled gaps. This process helps explain why the tour emphasizes both polished rooms and personal, sometimes playful, objects.
““They had clear ideas, and I was there to help interpret that vision.””
— Cathy Kincaid, designer
traditional colonial home furniture
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Details the Tour Leaves Out
The source is a design feature, not a property listing. It does not state the home’s street address, purchase price, ownership history, square footage or exact date of the family’s move. It also does not identify the publication date in the supplied material, so the timing of the tour itself cannot be pinned down here.
The report describes the family’s design choices and quotes the homeowners and designer, but it does not provide independent information about the property or a full inventory of the art and furnishings. The family’s current plans for the home, including any renovations, sale or public access, are not stated.
vintage wallcoverings for dining room
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No Further Plans Reported
The supplied report presents the finished interiors as a home tour and does not announce a follow-up project, sale or event. Readers can view the story as a record of the family’s design collaboration, but no next milestone is confirmed. Any future changes to the house or the family’s plans have not been reported in the source material.
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Key Questions
Who lives in the Dallas home?
The report identifies Donald Robertson and his wife, Kimberly Gieske, as the homeowners. It also describes the home as shared with their family.
Who designed the interiors?
Cathy Kincaid led the design project. She worked with Gieske and longtime collaborator Charlie Birdsong on arranging the family’s existing furniture and artwork.
What makes the house distinctive?
The tour shows traditional furnishings and a Colonial-style house alongside pop art, family artwork, vintage pieces and playful details. The report presents that mix as a reflection of the homeowners’ different tastes.
Why did the family move to Dallas?
Robertson said Dallas appealed to the couple as a place with some of Lake Forest’s traditional character but without the same wind and cold. The report says they moved from California during the COVID-era migration, but does not give a date.
Is the home for sale or open to visitors?
The source does not say that the house is for sale or open to the public. It is presented as a magazine home tour, and no address or public-access information is provided.
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